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David M. Christenson

David M. Christenson

University of Arizona · SILLC

Active 1993–2024

h-index4
Citations62
Papers4212 last 5y
Funding
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Research topics

  • Political Science
  • Philosophy
  • Art
  • Literature
  • Theology
  • Psychology
  • Visual arts
  • Aesthetics
  • Art history
  • Law

Selected publications

  • Plautus: Menaechmi

    2022 · 3 citations

    • Political Science
    • Literature
    • Art

    This new volume in the Bloomsbury Ancient Comedy Companions series is perfect for students coming to one of Plautus’ most whimsical, provocative, and influential plays for the first time, and a useful first point of reference for scholars less familiar with Roman comedy. Menaechmi is a tale of identical twin brothers who are separated as young children and reconnect as adults following a series of misadventures due to mistaken identity. A gluttonous parasite, manipulative courtesan, shrewish wife, crotchety father-in-law, bumbling cook, saucy handmaid, quack doctor, and band of thugs comprise the colourful cast of characters. Each encounter with a misidentified twin destabilizes the status quo and provides valuable insight into Roman domestic and social relationships.

  • Plautus: Curculio

    2020 · 4 citations

    • Art
    • Literature
    • Visual arts

    This is the first book-length study of Plautus’ shortest surviving comedy, Curculio, a play in which the tricksy brown-nosed title character (“The Weevil”) bamboozles a shady banker and a pious pimp to secure the freedom of the enslaved girl his patron has fallen for while keeping her out of the clutches of a megalomaniacal soldier. It all takes place in the Greek city Epidaurus, the most important site for the worship of the healing god Aesculapius, an unusual setting for an ancient comedy. But a mid-play monologue by the stage manager shows us where the action really is: in the real-life Roman Forum, in the lives and low-lifes of the audience. This study explores the world of Curculio and the world of Plautus, with special attention to how the play was originally performed (including the first-ever comprehensive musical analysis of the play), the play’s plots and themes, and its connections

Frequent coauthors

  • Sander M. Goldberg

    12 shared
  • Ian C. Storey

    12 shared
  • T. H. M. Gellar-Goad

    6 shared
  • Viola Klein

    5 shared
  • Matthew Wright

    5 shared
  • Alan H. Sommerstein

    5 shared
  • George Fredric Franko

    4 shared
  • James Robson

    3 shared
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