Beyond the Dream Syndicate. Tony Conrad and the Arts after Cage, chapitre 1 (extraits) : « What Is a Minor History ? »

Déméter · 2026-01-30

Déméter. Théories et pratiques artistiques contemporaines" est une revue semestrielle à comité de lecture. La singularité de la revue tient à l’attention toute particulière portée au dialogue entre les arts et les sciences humaines ; aux articulations entre théorie et pratique, entre discours scientifiques et gestes créateurs, entre connaissances et imaginaires.

Roundtable on <i>Warhol v. Goldsmith</i>: An Introduction to <i>Warhol v. Goldsmith</i>

Grey Room · 2024 · 1 citations

• Art
• Art history

Something One Recognizes Yet Can't See: Andy Warhol in and as Media

Grey Room · 2019-10-01

October 01 2019 Something One Recognizes Yet Can't See: Andy Warhol in and as Media Branden W. Joseph Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University and one of Grey Room's founding editors. He received a 2018–19 Guggenheim Fellowship as well as a 2019 Paul Mellon Visiting Senior Fellowship at the Center for Advanced Studies in the Visual Arts at the National Gallery of Art. Joseph has published widely on postwar and contemporary art, including several essays on Andy Warhol, most recently in the catalogue of the retrospective exhibition Andy Warhol: Before and After, organized by the Whitney Museum of American Art in 2018. Search for other works by this author on: This Site Google Scholar Author and Article Information Branden W. Joseph Branden W. Joseph is the Frank Gallipoli Professor of Modern and Contemporary Art at Columbia University and one of Grey Room's founding editors. He received a 2018–19 Guggenheim Fellowship as well as a 2019 Paul Mellon Visiting Senior Fellowship at the Center for Advanced Studies in the Visual Arts at the National Gallery of Art. Joseph has published widely on postwar and contemporary art, including several essays on Andy Warhol, most recently in the catalogue of the retrospective exhibition Andy Warhol: Before and After, organized by the Whitney Museum of American Art in 2018. Online Issn: 1536-0105 Print Issn: 1526-3819 © 2019 Branden W. Joseph.2019Branden W. Joseph. Grey Room (2019) (77): 6–37. https://doi.org/10.1162/grey_a_00277 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Branden W. Joseph; Something One Recognizes Yet Can't See: Andy Warhol in and as Media. Grey Room 2019; (77): 6–37. doi: https://doi.org/10.1162/grey_a_00277 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2019 Branden W. Joseph.2019Branden W. Joseph. Article PDF first page preview Close Modal You do not currently have access to this content.

Experimentations: John Cage in Music, Art, and Architecture

2016-08-11 · 8 citations

Experimentations

Bloomsbury Academic eBooks · 2016-01-01 · 11 citations

Experimentations provides a detailed historical and theoretical analysis of the most important period of experimental composer John Cage’s aesthetic production (ca. 1940-1972). Paying particular attention to Cage’s inter- and cross-disciplinary engagements with the visual arts and architecture during this period, the book sheds new light on some of Cage’s most controversial and influential innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization, as well as upon lesser-known but important ideas and strategies such as transparency, multiplicity, virtuality, and actualization. Ultimately, it traces the development of Cage’s avant-garde aesthetic and political project as it transformed from the emulation of historical avant-garde precedents such as Futurism and the Bauhaus, to the development of important precedents for the post-War movements of happenings and Fluxus, to its ultimate abandonment in the aftermath of problems encountered in the vast, multimedia composition of HPSCHD.

Robert Morris and John Cage: Reconstructing a Dialogue (1997)

The MIT Press eBooks · 2013-08-09 · 3 citations

Biomusik und elektronische Medien

2013-01-01

Synchronisierung der Künste

2013-01-01

Wenn Montage als ein Vorgang der Synchronisierung begriffen wird, rücken die Verfahren und Techniken der Kohärenzherstellung ins Blickfeld: Wie werden die einzelnen medialen Ebenen zu einer Einheit synchronisiert? Traditionell wurde diese Frage in Bezug auf die Montage und ihre Effekte gestellt und an dieser Ebene setzt der Band an. ›Montage‹ wird über die rhetorische Adressierung hinaus aber auch in einem erweiterten Sinne verstanden, der nicht auf den produktionsästhetischen Aspekt begrenzt ist: Als performativ versteht der Band Montage im Sinne einer Persuasion, einer ›Nahelegung‹, einer ›Attrahierung‹. Seine Beiträge nehmen die synästhetischen und persuasiven Effekte der kinematographischen Montage auf und erweitern sie auf Verfahren, Techniken und Effekte der Synchronisierung in anderen Kunstformen hin.

Editors' Note

Grey Room · 2013-01-01

January 01 2013 Editors' Note Karen Beckman, Karen Beckman Search for other works by this author on: This Site Google Scholar Branden W. Joseph, Branden W. Joseph Search for other works by this author on: This Site Google Scholar Reinhold Martin, Reinhold Martin Search for other works by this author on: This Site Google Scholar Tom McDonough, Tom McDonough Search for other works by this author on: This Site Google Scholar Felicity D. Scott Felicity D. Scott Search for other works by this author on: This Site Google Scholar Author and Article Information Karen Beckman Branden W. Joseph Reinhold Martin Tom McDonough Felicity D. Scott Online Issn: 1536-0105 Print Issn: 1526-3819 © 2013 by Grey Room, Inc. and the Massachusetts Institute of Technology.2013 Grey Room (2013) (50): 143. https://doi.org/10.1162/GREY_e_00102 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough, Felicity D. Scott; Editors' Note. Grey Room 2013; (50): 143. doi: https://doi.org/10.1162/GREY_e_00102 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2013 by Grey Room, Inc. and the Massachusetts Institute of Technology.2013 Article PDF first page preview Close Modal You do not currently have access to this content.

. John Cage, Arnold Schoenberg, and the Musical Idea

2013-10-28 · 2 citations