Carol Senf
· Carol SenfGeorgia Institute of Technology · Literature, Media, and Communication
Active 1982–2025
About
Dr. Carol Senf received her PhD in Victorian Studies from the State University of New York at Buffalo in 1979 and has been a faculty member at Georgia Tech since 1981. She is currently a Professor in the School of Literature, Media, and Communication. Her scholarly work focuses on Victorian literature, Gothic literature, and the intersections of literature and science, with particular interests in biomedicine and culture, film and literature, and gender and social justice issues. Dr. Senf has published extensively on Victorian authors, especially Bram Stoker, and has authored books including 'Science and Social Science in Bram Stoker's Fiction' and 'Dracula: Between Tradition and Modernism,' the latter of which received the Lord Ruthven Assembly award for best non-fiction in 1998. Her research also encompasses Gothic spaces, the evolution of Gothic themes, and the cultural reflections within Victorian and neo-Victorian contexts.
Research topics
- Literature
- Philosophy
- Art
- Epistemology
- History
- Aesthetics
- Law
- Medicine
- Linguistics
Selected publications
Chapter 4 The Paradigm of Dracula: 100 Years of Evolution
Edinburgh University Press eBooks · 2025-03-19
book-chapter1st authorCorrespondingVictorian Female Vampires and the New Woman
2024-01-01
book-chapter1st authorCorrespondingExploring Women’s Possibilities at the Fin de Siècle: Sarah Grand’s Quest for Women’s Enlightenment
British women's writing from Brontë to Bloomsbury · 2024-01-01
book-chapter1st authorCorrespondingFred Saberhagen’s Dracula: The Vampire as Neo-Victorian Hero
2024-01-01
book-chapter1st authorCorrespondingFaculty of 1000 Research Ltd · 2023-01-01
articleOpen access1st authorCorrespondingVictorian Female Vampires and the New Woman
Springer eBooks · 2023
1st authorCorresponding- Literature
- Art
- History
<i>Dracula</i>, Blood, and the New Woman: Stoker’s Reflections on the Zeitgeist
Cambridge University Press eBooks · 2022 · 1 citations
1st authorCorresponding- Literature
- Art
- History
In this chapter the author probes beneath the melodramatic surface of the story of Count Dracula, to reveal more subtle narrative threads, relating to Bram Stoker's critical social observations, both looking back in time, where many metaphorical dimensions of ‘blood’ are in play, and forward in time to late-nineteenth-century changes in gender relations, particularly as encapsulated in the figure of the ‘New Woman’. Just as blood-steeped history is conspicuous on the melodramatic surface of the fiction, so a forward-looking, scientific, and liberated future is discernible just beneath that surface.
Caietele Echinox · 2022-12-01
articleOpen accessSenior authorCorresponding"The association of the vampire with Eastern Europe has evolved in crime fictions which transform this fantastic character from a supernatural being to a means to comment on politics, many of them focusing on the imagological opposition between Eastern Europe and the Western world, a treatment that began with Stoker’s Dracula. Our paper analyses the transformation of this imagological vampiric stereotype, by investigating the deconstructivist novel Nepotul lui Dracula (Dracula’s Nephew) (2012) by the Romanian writer Alexandru Mușina."
Bram Stoker’s Dracula: The Transformation of Tradition
Springer eBooks · 2021 · 2 citations
Senior authorCorresponding- Literature
- Art
- Philosophy
Bram Stoker’s Ambivalent Response to the Frontier and the American Frontiersman
Clemson University Press eBooks · 2019-01-18
book-chapter1st authorCorresponding
Frequent coauthors
- 26 shared
Dina Khapaeva
- 25 shared
Paul Freedman
- 25 shared
Hardy Dickens
Yale University
- 25 shared
Kelly Doyle
ARUP Laboratories (United States)
- 25 shared
Jacque Lynn Foltyn
- 25 shared
Sami Pihlström
- 25 shared
Svetlana Tcareva
Kwantlen Polytechnic University
- 17 shared
Sherri Brown
Awards & honors
- Victorian Studies (no specific award mentioned)
- Lord Ruthven Assembly award for best non-fiction in 1998
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