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Nikki Keddie

Nikki Keddie

University of California, Los Angeles · History

Active 1954–2023

h-index41
Citations5.5k
Papers2252 last 5y
Funding
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About

Nikki Keddie is a Professor Emeritus in the UCLA Department of History, specializing in Near Eastern history with a particular focus on Iran. Her scholarly work encompasses social history, women’s history, and comparative and world history. Keddie has authored and edited numerous publications, including books such as 'Iran and the Muslim World: Resistance and Revolution' (1995), 'Qajar Iran and the Rise of Reza Khan: 1796-1925' (1999), 'Iran and the Surrounding World: Interactions in Culture and Cultural Politics' (2002), 'Modern Iran: Roots and Results of Revolution' (2006), and 'Women in the Middle East: Past and Present' (2007). Her research explores themes of religious politics, secularism, gender, and social change in Iran and the broader Middle East. Keddie has contributed articles and chapters to various academic journals and books, addressing topics such as religious fundamentalism, women's roles, and political transformations in Iran and the Middle East. Her work is recognized for its detailed historical analysis and its focus on understanding the cultural and political dynamics of the region.

Research topics

  • Political Science
  • History
  • Archaeology
  • Ancient history

Selected publications

  • Why has Iran been revolutionary?

    Routledge eBooks · 2023 · 1 citations

    1st authorCorresponding
    • Political Science
    • Political Science

    In a 1983 article Iran’s revolutions compared with other great world revolutions, and also compared and contrasted the Iranian constitutional revolution of 1905–11 with its Islamic Revolution of 1979. It looks in a different way at the history of revolts and revolutions in Iran since 1890, and poses the question of why Iran has, overall, been so revolutionary, having more revolutions and rebellions than other Muslim countries, and more than all but one or two Third World countries. Chinese Neo-Confucianism and popular religion are nothing like Iranian Shi’i Islam, so that the most obvious aspects of the two cultures are very different. It is significant that both China and Iran remained formally independent in modern times, but that both had a maximum of western imperialist penetration and manipulation. Every Iranian revolt had a strong anti-foreign cultural and political content, and so too, sometimes to a lesser degree, but very strongly in the Boxer Rebellion, did the Chinese movements.

  • 5. The History of the Muslim Middle East

    Cornell University Press eBooks · 2020

    1st authorCorresponding
    • History
    • Ancient history
    • Archaeology
  • Secularism and the State: Towards Clarity and Global Comparison

    2019-07-15 · 29 citations

    book-chapter1st authorCorresponding

    Debates about the process of secularization have, centred on the work of a group of sociologists and historians, mostly British, who have put forth and debated what is known as ‘the secularization thesis’. Secularization is attributed almost exclusively to socio-economic change, without significant reference to the state, to ideas, or to political movements. The secularization thesis concentrates heavily on Great Britain, with some attention to western Europe. The original secularization thesis, and even its modifications, tended to see secularization as a one-way street. The very strengthening of a state demanded by modern economies requires considerable state control of public education, civil law, welfare and other spheres that is more secular than anything that existed in the past. Rapid modernization has contributed not only to secularism but to major anti-secularizing trends, especially in countries with growing fundamentalist movements. A large degree of secularism is a necessary concomitant of the modern industrial world.

  • Index

    Yale University Press eBooks · 2017-12-31

    paratext1st authorCorresponding
  • Humans, Nature, and Birds

    Yale University Press eBooks · 2017-10-23

    book1st authorCorresponding

    This book invites readers to enter a two-floor virtual “gallery” where 60-plus images of birds reflecting the accomplishments of human pictorial history are on display. These are works in a genre the authors term Science Art— that is, art that says something about the natural world and how it works. Darryl Wheye and Donald Kennedy show how these works of art can advance our understanding of the ways nature has been perceived over time, its current vulnerability, and our responsibility to preserve its wealth. Each room in the gallery is dedicated to a single topic. The rooms on the first floor show birds as icons, birds as resources, birds as teaching tools, and more. On the second floor, the images and their captions clarify what Science Art is and how the intertwining of art and science can change the way we look at each. The authors also provide a timeline linking scientific innovations with the production of images of birds, and they offer a checklist of steps to promote the creation and accessibility of Science Art. Readers who tour this unique and fascinating gallery will never look at art depicting nature in the same way again. Published with assistance from the Alfred P. Sloan Foundation's Public Understanding of Science and Technology Program.

  • Appendix 1. Timeline Linking Art, Technology, and the Study of Birds

    Yale University Press eBooks · 2017-12-31

    book-chapter1st authorCorresponding
  • Paved with Good Intentions: The American Experience and Iran

    The SHAFR Guide Online · 2017-10-02

    dataset1st authorCorresponding
  • 1. Introduction: Deciphering Middle Eastern Women's History

    Yale University Press eBooks · 2017-12-31 · 4 citations

    article1st authorCorresponding
  • Selected Bibliography

    Yale University Press eBooks · 2017-12-31

    book-chapter1st authorCorresponding
  • The End of the Cold War in the Near East: What It Means for Historians and Policy Planners

    The SHAFR Guide Online · 2017-10-02

    dataset1st authorCorresponding

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