Zeynep Çelik Alexander
· Associate ProfessorColumbia University · Art History and Archaeology
Active 2009–2023
Research topics
- Computer Science
- Political Science
- Visual arts
- Aesthetics
- Art
- Engineering
- History
- Library science
- Psychology
- Literature
Selected publications
Regale, Magazine, Copyright. Der Neubau der Library of Congress
De Gruyter eBooks · 2023
1st authorCorresponding- Political Science
- Computer Science
- Political Science
Stacks, Shelves, and the Law: Restructuring the Library of Congress
Grey Room · 2021-02-01 · 1 citations
article1st authorCorrespondingFebruary 01 2021 Stacks, Shelves, and the Law: Restructuring the Library of Congress Zeynep Çelik Alexander Zeynep Çelik Alexander Zeynep Çelik Alexander is an architectural historian and Associate Professor in the Department of Art History and Archaeology at Columbia University. She is the author of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design (University of Chicago, 2017) and coeditor of Design Technics: Archaeologies of Architectural Practice (University of Minnesota, 2020). Search for other works by this author on: This Site Google Scholar Author and Article Information Zeynep Çelik Alexander Zeynep Çelik Alexander is an architectural historian and Associate Professor in the Department of Art History and Archaeology at Columbia University. She is the author of Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design (University of Chicago, 2017) and coeditor of Design Technics: Archaeologies of Architectural Practice (University of Minnesota, 2020). Online Issn: 1536-0105 Print Issn: 1526-3819 © 2021 by Grey Room, Inc. and the Massachusetts Institute of Technology.2021Grey Room, Inc. and the Massachusetts Institute of Technology. Grey Room (2021) (82): 6–29. https://doi.org/10.1162/grey_a_00314 Cite Icon Cite Permissions Share Icon Share Twitter LinkedIn Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Zeynep Çelik Alexander; Stacks, Shelves, and the Law: Restructuring the Library of Congress. Grey Room 2021; (82): 6–29. doi: https://doi.org/10.1162/grey_a_00314 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentAll JournalsGrey Room Search Advanced Search This content is only available as a PDF. © 2021 by Grey Room, Inc. and the Massachusetts Institute of Technology.2021Grey Room, Inc. and the Massachusetts Institute of Technology. Article PDF first page preview Close Modal You do not currently have access to this content.
Writing Architectural History: Evidence and Narrative in the Twenty-First Century
2021 · 3 citations
- History
- Visual arts
- Aesthetics
1919: Der Wendepunkt, an dem die Geschichte keine Wendung mehr nahm
100 · 2021-08-25
book-chapter1st authorCorrespondingUniversity of Minnesota Press eBooks · 2020-01-21
book-chapter1st authorCorrespondingManaging Iteration: The Modularity of the Kew Herbarium
2020-04-08
book-chapter1st authorCorrespondingHow does architecture accommodate iteration? Architectural modernism’s answer to the question has been modularity: from the Crystal Palace to attempts at prefabrication, modular architecture in modernist historiography has been explained as an arrangement necessitated by industrialized mass production. This essay attempts to decouple modularity and industrialization by focusing on the “modular” architecture of the Kew Herbarium. First set up in 1853, the Kew Herbarium in the Royal Botanic Gardens grew exponentially in the course of the nineteenth century by replicating the simple cabinet architecture invented by the Swedish naturalist Linnaeus. Because this kind of herbarium consisted of loose sheets of paper upon which dried and flattened plant specimens were affixed, not only could specimens now be sent to and received from colonies all over the world but also the contents of the botanical storehouse could be arranged and rearranged as needed. The ingenuity of this modular architecture, then, was that it served as the clearinghouse of an agricultural bureaucracy by facilitating the exchange of plants, knowledge, and equipment across the globe.
University of Minnesota Press eBooks · 2020 · 2 citations
1st authorCorresponding- Psychology
5. Designing: Discipline and Introspection at the Bauhaus
2019-12-31
article1st authorCorresponding2. Looking: Wölfflin’s Comparative Vision
2019-12-31
article1st authorCorrespondingEvidence + Narrative in Architectural History
2018-08-15
article
Frequent coauthors
- 2 shared
Daniel M. Abramson
- 2 shared
Michael Osman
University of California, Los Angeles
- 1 shared
A. M. Levin
- 1 shared
Lauren Jacobi
- 1 shared
Janna Israel
- 1 shared
Laila Seewang
- 1 shared
Anooradha Iyer Siddiqi
- 1 shared
Timothy Hyde
Philadelphia University
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